Blue at Noon by Georges Bataille is a fascinating avant garde novel. In this essay I would like to deconstruct the way in which women are portrayed. Most of the Women except his wife and Desire are sluts. The prominent whores featured in his novel are dirty (Dorothea) and Xenia. The entanglements of the protagonist with these women are symptomatically pathological. The protagonist betrays devastating hidden oedipal fantasies. The relationships with these women are more intricate and denser than remuneration for occupying the pleasures of the bed. The protagonist takes great pleasure in the disgusting and the revolting. For example: Dirty is drunk and puking and at the same time she exposes herself nude. Sometimes the protagonist becomes an archetypal feminine. For example he sobs: when he gets a letter from his wife. All his relationships with sluts are erotic a melancholia, a fantasy of longing which ceases to be fulfilled. He portrays whores as tender, loving oedipal objects on which he can gratify his emptiness, his angst. The novel takes places in three places, England, France and Spain. In France he encounters Xenia. He is very ill at that time. Xenia though a whore goes to a great extent of nursing him back. The amazing thing is that he does not feel grateful but treats her with intense repulsion. In Spain he encounters Desire. The Spanish revolution is going on there and she has intense communist views. Though he becomes close to Desire, he treats her like a wretch. He has no interest in her intellectual proclivities. There are no scenes in the novel which are sexually graphic. Drunkenness, puking and nudeness become orgies for the mind of the protagonist. Though the novel is experimental, the narrative is straight forward and goes on from the beginning to the end. The protagonist is an erotic Sisyphus who is tormented by the weight of his sexual entanglements and finds release of his emotion through sheer repugnance. The pleasure of the bed has become a narcotic stone which is rolled down by him in mental stupor. The protagonist is always in state of psychological fornication. As a work of Art he is Picasso’s bull who is limpid and strangulated by his own emotions. The author creates whores who are fond of him. The creation represents a maternal, oedipal reaching out. Is it a kind of oedipal narcissism that the author suffers from? There is no political consciousness for the protagonist. He maintains a stormy silence when Desire discusses ideas about communism. The creation of the psychology for the whores in his novel is a dystopian archetype. The women are his ideal and yet they are repugnant to him. Eroticism for the narrator is one of morbid loathing and ironically a state of ecstatic pleasure. I as a reader, I am totally ignorant how whores interact or behave. Of course I have had my chances but I have failed to follow upon them. Yes in the end, I feel whores are humane and can have genuine feelings.
I happened to read the story since I had to teach it to eight graders. The story belongs to the genre of the Gothic Vintage. The protagonist of the story becomes obsessed with the killing of an old man. The whole story revolves around his pathological mania for killing. The reason for killing is psycho-analytically revealed in the story. The old man has an eye that resembles that of a vulture. The evil eye is haunting the protagonist. The wealth or possessions of the man like Gold does not interest the protagonist. He visits the old man’s house several times in the night and goes through the ecstasy of the thought of butchery. And finally one night he accomplishes the mission. He decapitates the body and buries it in the wooden planks that make the floor of the house. Then Poe brings in the cops who come to house on the pretext of having heard a shriek. The protagonist at first manages to maintain his composure but in the end looses it and spills the beans to the cops that he has liquidated the old man. It’s true that Poe has been characterized as a mad genius and as a tormented artist. The protagonist is suffering from narcissistic, psychotic melancholia. The narcissism is an obsession directed with quirk of violence that shifts the mind from reason to that of passion. The protagonist is going through an intense psychotic phase of psychosis where he is not able to distinguish murder as something diabolic and goes against the Super Ego, the laws of the society. Melancholia is pining for an object that cannot be obtained. Here it becomes a phantasmagoria, the vulture-eye of the old man. The psychotic character is unable to distinguish between fiction and reality. He does not want to take responsibility of the crime and willingly surrenders himself to the police. The psychological build up of psychotic anxiety is a super rendition of art.